She notes that 12 of the 14 lines end with feminine rhymes.
2.
Hudibras was written in an iambic tetrameter in closed couplets, with surprising feminine rhymes.
3.
Traditionally, English trochaic meter permits the final weak position in the line to be omitted, which allows both masculine and feminine rhymes.
4.
His multiple use there of feminine rhyme is reminiscent of A . E . Housman ( e . g . in sonnets 15, 19 ).
5.
Classical alexandrines are always rhymed, often in couplets alternating masculine rhymes and feminine rhymes, though other configurations ( such as quatrains and sonnets ) are also common.
6.
Almost the entire work is made up of 389 stanzas of iambic tetrameter with the unusual rhyme scheme " AbAbCCddEffEgg ", where the uppercase letters represent feminine rhymes while the lowercase letters represent masculine rhymes.
7.
A "'feminine rhyme "'is a rhyme that matches two or more syllables, usually at the end of respective lines, in which the final syllable or syllables are unstressed.
8.
"Hudibras " gave rise to a particular verse form, commonly called the " Hudibrastic . " The Hudibrastic is poetry in closed rhyming couplets in iambic tetrameter, where the rhymes are often feminine rhymes or unexpected conjunctions.
9.
Sonnet 42 uses feminine rhymes at the end of the lines : especially in the second quatrain as a poetic device, similar to sonnet 40 . " The poem is essentially a sad one & it's sadness heightened by the feminine endings, six in all [ out of seven ] ".
10.
The mute e in " d'une " is pronounced and is counted in the syllables ( whereas the mute e's at the end of " r�ve ", " �trange ", " femme " and " j'aime " which are followed by vowels are elided and hypermetrical ); the mute e at the end of " qui m'aime " is hypermetrical ( this is a so-called " feminine rhyme " ).
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